Literati!

Janet Klise encourages interns at The Word to reach dithering heights

Mercifully, our much protracted contest Of Knights and Knaves is coming to a close.  We have a few more entries that made it under the wire, including this one by Janet Klise, which she calls:

Charlie’s Flight of Fancy

by Janet Klise

“Where did the boy find that kite-thing anyways, Ellie? It’s made of rawhide, looks like, but it has pieces of snake skin all over it.”

“Oh, my God… What was he thinking?”

“I thought it would fly, Mom.”

“I apologize for the abrupt manner of my deputy, Mrs. Brandt, but there are questions we must ask. I know how hard this must be for you.”

“It’s a dank and snarly kite for sure, and huge, anyways. The boy–”

“I think I know where it came from. From a trunk of Gramps’ stuff in the basement of the old farmhouse.”

“Mom! That’s a secret. Just me and Gramps know about it.”

“And who is Gramps, Ma’am?”

“Gramps? He was rather eccentric…”

“He was crazier than shit, Ellie.”

“Now Bill.”

“Now Ellie. He was my father. Gramps was Charles Brandt, the first, Sheriff, but Gramps is what everybody called him. He was 20 years older than my mother and he’s been 20 years dead. Died when I was ten, but he was gone all the time when I was a kid. He was a Carney, a magic act. I didn’t really ever know him.”

“Geez, I didn’t ever before either, Dad.”

“Our little Charlie was named after him…”

“I couldn’t even tell you what Gramps looked like, Sheriff.”

“I know what Gramps looks like — white beard, brown eyes, lots of wrinkles. He’s a crusty old guy, but real nice. Geez Louise, the only thing I had before was the name Gramps on the trunk.”

“Anything unusual in your son’s habits lately, Ma’am? Sir?”

“Well, I did hear some of his prayers last night. The little shit was praying for it to be windy.”

“Poor little boy. He was so sick this morning… He couldn’t even go to church with us, poor little lamb. We go to the Church of the Living Redeemer. The one on Cleveland Street. He liked it there.”

“Not!”

“Was he all right, Ma’am? I mean, no trouble at school?  No psychological issues? Was he being bullied, Mrs. Brandt? We need to know the facts.”

“Yeah, bullied. That’s a big bad deal. Now-days, anyways. Huh, Sheriff.”

“No, no. He was fine. We had only the normal kid things going on. He’s a good kid. Was… Oh, my God…”

“No disrespect, Mrs. Brandt, but he spent a lot of time in that old basement working on that crazy thing. And he managed to keep it from both of you. Could there be any other secrets he might have kept from you?”

“Yeah, I wanted to fly.”

“What secrets could he have, Sheriff? He’s only… He was ten.”

“What else was in that old trunk, Bill? Any weapons? Knives? A gun?”

“Oh shit no. Just old junk, if I remember right. And dead snakes. We can take a look at it if you need to, Sheriff.”

“That would be good. It might give us something concrete to work on. We don’t like dealing in suppositions, you know. Matter of fact, my deputy here can get some good photos of the trunk and its contents in a bit.”

“There was a taxidermy white rabbit in that trunk, Sheriff, stuffed in an old screwed-up black felt hat…”

“Yeah, I know. I almost puked when I found it, Dad. Geez. See, I pulled it out of that hat face first, and its face was missing a lot of fur and the skin was pulled back from the eye sockets. And those big front choppers scared the shit out of me. Sorry, Mom… Now he’s my favorite. I named him Buns.”

“It’s all right to cry, Mrs. Brandt. Just take your time.”

“I spread out the kite pieces in a pattern all over the basement floor. I had a plan. I had my wood glue and Dad’s upholstery needles and thread. You’d be proud how I did it, Dad. I wanted Gramps to like it too.”

“Dammit! He must have been in that damp old basement forever… Why didn’t he just let go of the goddamn kite?”

“Now Bill.”

“It looks like he staged that monster here at the top of the knoll. A good wind was

blowin’. It must-ah been perfect for flying a kite, anyways.”

“It was destiny. Buns and Gramps said so too.”

“He was always such a little shit for his age… He looks so small, laying there all twisted up.”

“I remember the wings kept hitting me in the face. They kept cutting my face… Geez, it hurt.”

“I called the coroner. He should be here any time now.”

“All right, Sheriff.”

“I was scared. Geez Louise, the more blood I saw and the more I looked at Bun’s eyes, the scareder I got. It hurt bad.”

“Who found him here?”

“I did. He wasn’t in his bed when we got home from church, so I went looking for him. I found him, bless his heart… Then Bill found the both of us.”

“I found them about an hour ago, Sheriff. Shit. I didn’t even recognize him… His face all torn up like that… But I could tell by his clothes it was Charlie.”

“Oh, my God. Look at him, Bill… Poor little guy. All that blood… ”

“I apologize, Ma’am. My deputy will get a blanket and cover him.”

“Oh, my God… That was my little Charlie’s face…”

**************************************************

 

 
About The Author

Thornton

Someday, I'll get it write...

  • Diane Cresswell

    I asked Ed what dimension his imagination went to and now I have to ask the same of you.  Wow this really made imprints on my eyes and imagination also.  Took off with this one quite well Janet.  Liked it…not images – they’re still lingering…

  • Janet Klise

    First of all, Diane, thanks very much for taking the time to comment. I
    appreciate it!
    I really can’t tell you what led my imagination in that direction. I am
    best at writing sentimental memoir-type pieces and poems. I’ve only written a
    few short stories, but I enjoy writing them, and once I finish them to my
    satisfaction, I am in love with every word!

    Thorn’s contests have really tried and tested me, but I am learning
    and growing, for which I am grateful. Since I found AWwYP, I’ve written 3
    stories wherein cats talk to each other, 2 vampire stories, a story wrapped
    around a painting and this one. I had never written those types of stories
    before, especially stories where there is a moment of (sometimes horrid)
    discovery at the very end.

    This story started as a 984-word rebellion against the request for a
    dialog-dominant story. I wrote it without a quote or paraphrase in it. It’s a
    straight narrative with the same plot and this ending: “The last thing left of
    Charlie on this earth was his battered, sad little body, tangled amidst the
    kite’s broken fronds, the tender grass of the meadow strewn across the horrible
    grimace that was once Charlie’s face.”

    It had no sheriff or deputy or ghost of little Charlie in it until I
    thought that maybe I should try to do a story of some substance and length (925
    words) and do it in dialog only. This was my attempt.

    Thanks again, Diane, and my apologies for the long explanation.

  • Mac Eagan

    Janet, let me start by saying I typically don’t read ghost stories (we all have our favorite genres . . . and our non-favorites) but by the time I figured that out on this one I was over half-way through and had to finish.
    Your dialog is excellent and you have the right ‘mannerisms’ for each character to be able to identify them without narrative.  The only line that doesn’t make sense to me is the sheriff’s apology for his deputy’s abruptness.  The only lines in the story that his apology could be connected to are the first two, and those read to me like the father and the mother speaking.  Which means there is no statement from the deputy and makes the sheriff’s comment out of place.  But the rest of the dialog is fairly easy to follow and very easy on the second read-through (yep, I read it twice).
    As I said, I was halfway (or more) through the story the first time before I realized Charlie wasn’t being ignored – he was actually not being heard.  Your pace of revealing his condition is perfectly timed.
    I also liked the way you had the mother speaking of Charlie in present tense and correcting herself to past tense as she tried to deal with the horror of the reality.
    And I think you chose wisely to end the story on the mother’s grief.  Very true to life, the lasting sadness of losing a child.
    You have exhibited great talent.

  • Janet Klise

    Mac -

    I think I love you.

    Seriously, thank you so much for taking the time to comment on my
    story, and thank you for your comments. I know your reputation on this site and
    the superb quality of your writing and of your comments, so you absolutely made
    my day.

    The first line of the story is the deputy talking. He says “anyways” a
    lot, calls Charlie “the boy,” and refers to the mother and father by first
    names, while the more respectful sheriff addresses them using “Mr.” and “Mrs.”
    and “Ma’am” and “Sir.” But it’s my fault that this was not clear. I should have
    followed up the first line right away with more of the deputy so that his
    speaking would be more easily recognized. Come to think of it, the deputy
    probably could have been left out altogether.

    Thanks for the compliment on the timing of revealing Charlie. That was
    by far the most difficult task in writing the story.

    So, Mac, thank you for the constructive, thoughtful criticism and the
    praise. I truly appreciate it.

    - Janet

  • Dolores Doody

    A “dank and snarly kite”?  Wow!   I, too, read the piece twice just to appreciate the dialog.